I think, on a larger note, that filmmakers and studios should start to tuck it in a little bit, because films wouldn`t have the pressure they have if the word wasn`t out about how expensive they were.
I felt that as long as we were being honest, and that we didn`t bend the truth to accomplish another goal, to be entertaining or to be a happy ending, I was confident that we`d be able to tell the story the way it happened.
And then we watched an amazing number of movies from the late `60s and `70s, which is my favorite time, and we studied their camera movements, their stocks, the way they lit stuff, the colors they used.