How could we possibly appreciate the Mona Lisa if Leonardo [Leonardo Da Vinci] had written at the bottom of the canvas, `The lady is smiling because she is hiding a secret from her lover`? This would shackle the viewer to reality, and I don`t want this to...
{on the complaint that his films were emotionally cold] I ought not to be regarded as a once happy man who has been bitten in the jugular and compelled to assume the misanthropy of a vampire.
I haven`t come across any recent new ideas in film that strike me as being particularly important and that have to do with form. I think that a preoccupation with originality of form is more or less a fruitless thing. A truly original person with a truly ...
Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write `War and Peace` in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling.
A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what`s behind the emotion, the meaning, all that comes later.