I think it`s a change that I did not intend at the time but it is clear that, from The Flower of My Secret on, there is a change in my films. A lot of the journalists have very generously attributed this to my growing maturity.
I think decor says a lot about someone`s social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.
I was born at a bad time for Spain, but a really good one for cinema.
