My conception of it was that in a normal film you have a story with different movements that program, develop, go a little bit off the trunk, come back, and end.
It`s the opposite journey from what I`ve usually done with films. I find it very easy to go from, say, a lit, pleasurable environment, like what you see outside there, to a very dark place. But the opposite journey, which is what this movie takes, is much...
It`s nice to work with Hollywood because there is never any question of resources put at your disposal to make a film as long as it is the right thing to do.