You had to make a camera look like it`s traveling at 300 mph, but you couldn`t make it actually travel at 300 mph so you had to slow everything down and build devices to do that. So you were constantly engineering.
We stayed there 24 hours a day. We lived and ate and slept that movie. We were enthusiastic, not just because of the movie, but because we had such a great collaborative team. We had a really good time. It was very much a family.
Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing ...
It`s very much like filmmaking always is-you`re always asked to do something that you`re not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product tha...