There`s kind of a cool feel that happens every now and then. I guess that feel is the thing that makes the score its own score. But, I don`t know exactly what that is. So, it`s hard for me to answer that question.
The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you`re going to want the melody to catch four things in the action.
The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you`re going to go water later in the score. And so, having that removed just made it so much more difficult.
That still has to be there. And so, it`s kind of an interesting question you brought up. Because, on the one hand, yeah, it`d be lovely. I certainly don`t see that happening. In fact, I see the opposite happening.