I was terrified when I turned 30. I was pregnant and had the mumps and Faye Dunaway was just coming out in Bonnie and Clyde (1967). I thought, `Oh my God, I`ll never work again. I`m old!`
Jane Fonda
[on making Wait Until Dark (1967)] It was the only heavy I`d ever played up until then, and I had a miserable time; I was crazy about Audrey Hepburn. I was just in awe of her. She was an extraordinary person in every way, and I just hated terrorizing her....
Alan Arkin
[on why he resigned the role of James Bond while filming You Only Live Twice (1967)] One of the reasons I stopped doing it was because I got really fed up with the space stuff and special effects. I just found it getting more and more influential in the m...
Sean Connery
The `60s were when hallucinogenic drugs were really, really big. And, I don`t think it`s a coincidence that we had the type of shows we had then like The Flying Nun" (1967).
Ellen DeGeneres
[on refusing the role of Benjamin Braddock in The Graduate (1967), the role that made Dustin Hoffman a star seven years before Redford obtained super-star status himself] I never did look like a 21-year-old just out of college who`d never been laid.
Robert Redford
I do not ever want to be a huge star. Do you think I want a success? I refused Bonnie and Clyde (1967) because I was nursing at the time but also because deep down I knew that it was going to be a huge success. The same was true of Bob and Carol and Fred ...
Tuesday Weld
[When asked by `Barry Norman` (II) why he had taken on the part of the Mahdi in `Khartoum` (1967), for which he was so obviously ill-suited] One doesn`t do everything for artistic reasons, dear boy.
Laurence Olivier
[answering the bad reviews he got on his last movie, A Countess from Hong Kong (1967)] If they don`t like it, they are bloody idiots. A diplomat falls in love with a prostitute - what better story can they get than that?
Charlie Chaplin
Upon getting work as an off-Broadway actor in 1967: I made $70 a week as an actor and I`d been making $60 in LA. Making more than that as an actor was just unbelievable to me. I never went back to typing but had some real lean times in-between. But I didn...
Morgan Freeman
[Talking about modelling her Lois Lane performance on Katharine Hepburn]: I watched a lot of Hepburn (Katharine Hepburn) to prepare for Lois, particularly The Philadelphia Story (1940) and Guess Who`s Coming to Dinner (1967). Hepburn (Katharine Hepburn) i...
Kate Bosworth
[on Peter Fonda] In The Trip (1967/II) I started to get fed up. I was fed up because Peter Fonda was a star and I wasn`t. And Peter couldn`t act. I`m sorry, man, he just can`t act. He never bothered to sit and learn. He never studied. And he just kind of ...
Bruce Dern
[on his character Harry Roat Jr. terrorizing Suzy Hendrix (Audrey Hepburn) in Wait Until Dark (1967)] I hated it. I just thought she was terrific. I had an enormous amount of regard for her. I didn`t like being cruel to her. It made me very uncomfortable.
Alan Arkin
On the fact that he is mostly known as his "The Prisoner" (1967) character, Number Six: "Mel [Gibson] will always be Mad Max, and me, I will always be a Number."
Patrick McGoohan
[1967 comment on director Karel Reisz] I think Karel is very good with actors; he`s very interested in the actors creating a character and not just relying on personality, he`s good at encouraging actors to explore the characterization, and I think that`s...
Albert Finney
We have been in the territories since 1967. In 2002, we had sometimes three or four suicide attacks every day. We came to the conclusion that it can`t continue like that.
Silvan Shalom
We expect President Bush to implement his own vision of a two-state solution, the birth of the Palestinian State and the ending of the occupation that started in 1967.
Mahmoud Abbas
The Palestinians need more help from the Arab countries. Since 1967, the world has learned that there is not going to be real progress in the region until Palestine gets something back that they had.
Bruce Dern
I sum up the prospects for 1967 in three short sentences. We are back on course. The ship is picking up speed. The economy is moving. Every seaman knows the command at such a moment: `steady as she goes`.
Alfred Jarry
From the time I moved to San Francisco in 1967 to play with the Steve Miller Band, there was a lot of support in the music community for one cause or another, but this one was special because it was put on by people who understood where musicians` hearts ...
Boz Scaggs
Around 1967 I began backing away from dogmatic Leninism, not so much because I thought it was false, I just decided there was nothing utopian about it.
Henry Flynt